This summer while I was in Stockholm, I ran into an old friend who is the author of Diction Police. She loved the paper my DMA student and I presented, and asked to interview us. Here is an excerpt.
While I was at the International Congress of Voice Teachers this past summer, I happened upon a seminar given by an old friend of mine, Dr. Kevin Hanrahan, who is Associate Professor of Voice at the Glenn Korff School of Music of the University of Nebraska-Lincoln, and Matthew Clegg, a DMA voice student at the same university. The seminar was entitled Benjamin Britten: A Study in Vocal Acoustics, and focused on Britten’s Serenade for Tenor, Horn and Strings, and A Charm of Lullabies for mezzo-soprano, looking into how the composer set the text, to see if the singer simply sang exactly as the text (specifically the vowels) as composed whether it would match the dynamics and expression that Britten intended. It was so fascinating that I asked him to share some of their findings with us!